The Effect of Image Processing

6 05 2008


Looking to the Future Examples, originally uploaded by kamikaze productions

I think it would be safe to safe that most digital photographers make edits to their pictures. To be fair, some try to keep the image as true to the reality that was seen through the viewfinder, but editing can go up to the extremes of heavy photoshopping and manipulation. With this entry I’d like to concentrate more on light editing, in the sense of adjusting color and tone for example. Looking at the three images above, you can achieve these different effects by adjusting manually or using a handy Adobe Lightroom preset.

Photo #1 – Auto Tone, Clarity, Light Tones (manually adjusted)
Photo #2 – Matt’s Bleach Bypass – More color
Photo #3 – Lightroom preset: Creative – Aged Photo

Most people have their own idea on how to properly adjust an image to yield the results they are looking for. There is always conversation for instance on b&w conversions. There are those that hate grays in the image, those who think b&w should exude high contrast and vice versa. However, what I am trying to write about, while still subjective, is a bit more universal – emotion. You have the ability to tap into emotion by altering your photos in ways that will affect how the eye sends its messages to the brain and heart.

Looking at my photos, Photo #1, is pretty much the original photo edited to make sure the colors are true and vibrant. The color and contrast feel good, but I haven’t necessarily conveyed much except technique. The composition works, the lighting is tempered on the back of her head, and of course Bokeh (wikipedia the word). But again, this is less about technique and more about final product. I will sum it up with a question about Photo #1 – how do you feel?

Turn your focus to Photo #2. The colors are a bit washed out and her gaze gains more prominence in the photo. Clearly the gaze is a central element no matter what you do with the photo; however, if you can’t get your audience to really appreciate the gaze, then it doesn’t quite matter. So in this photo, I asked myself, “How do I feel?” My answer – nostalgia, she looks like she is appreciative of her accomplishments, and reflects all that is behind her on the day of graduation. This photo is definitely more powerful than Photo #1.

Lastly, Photo #3. It has an aged preset applied and it gives it more of a sepia feel. I ask myself again, “How do I feel?” My answer – nostalgia exists but not with the same level of impact. Instead I feel her gazing into the future, happy today but realizing there is so much to come, not scared in the least bit, just reflective.

I am not arguing that each preset will evoke a certain emotion every time, or that my answer to the question will be the same for every one. But realize you have power in the process of editing your images. You might not always hit the nail on the head, but work at harnessing that power, because it will be the difference between a good capture, and an amazing image!


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One response

22 05 2008
.j.

nice explanation. This is a very important dimension to image adjustment- like editing is to film production. Editing is everything to an editor. You can make the intent (if you understand it) become the result (if you have the skills and experience). It goes so much further than the original footage. You take away the objectivity of the footage and make it subjective. You make it have a point of view. 🙂

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